Clementi: Sonatina in G major, op. 36 no. 5 (complete)

Clementi: Sonatina in G major, op. 36 no. 5 (complete)

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Envoyée le mardi 09 février 2010 06:16:55
par BachScholar
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I. Presto 0:04 II. Air Suisse 4:50 III. Rondo 6:56

Clementi Sonatina Playlist:
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ABOUT THE ARTIST: The Sacramento Bee wrote: "Cory Hall played two works of towering artistic content and difficulty with a power and a finish that were startling. Hall was all over the keyboard but always conscious of the magic the notes were designed to evoke. It was an impressive performance." CORY HALL (b. 1963) is a retired concert artist, college professor, and church organist who currently devotes his time to making YouTube videos and composing. He wishes to inspire and offer advice to aspiring pianists and musicians worldwide via videos with his thought-provoking performances and tutorials. An independent scholar as well as performer, Hall holds graduate degrees in piano and historical musicology from The Eastman School of Music and The University of Kansas. BachScholar™ website: http://www.bachscholar.com. Please browse the selection of Dr. Hall's personal hand-picked recommendations related to music and this video!

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CD OF HOROWITZ PLAYING CLEMENTI SONATAS:
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PIANO BOOK OF ALL CLEMENTI'S SONATINAS & SONATAS:
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PIANO BOOK OF CLEMENTI'S OP. 36, 37, 38 SONATINAS:
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PIANO BOOK OF CLEMENTI'S SONATAS:
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johnmar78

bravo from Australia
lundi 22 mars 2010 16:56:57
ReturnOfTheStienway

Perfect rendition. I like how you recorded the whole sonata in one recording.
mardi 02 mars 2010 20:42:25
BachScholar

Yes, the Presto is fast enough. If a normal allegro is 126 bpm (which is what I play in the other allegros), then 144 that I play here is faster or "presto". Presto in the classical era did not mean as fast as possible, but rather simply faster than allegro and pretty much the same as "molto allegro". I play the first and last movements here at the same tempo, 144 bpm.
samedi 13 février 2010 11:57:52
jacksongrant15

I'd heard of them but I don't know much else, I'll have to look them up, as I'm very much interested in Classical era keyboard works. Czerny seems to have such confident command over the classical era language in his etudes, I wonder if his sonatas have a similar feel, just widened. Also, Weber, though known for operas, has greatly impressed me with his virtuosic classical era style piano sonatas, especially Perpetuum Mobile, the final movement of his first.
vendredi 12 février 2010 00:32:25
jacksongrant15

My personal favorites are the G Minor: Scena Tragica, one in F sharp Minor, D major from around 1800, and a rather famous one in B flat major. Maybe when I get comfortable with my own playing(and playing in front of a camera to say the least, a decent one), I can post the final movement of scena tragica, its somwhat like the sonatinas, a lot of engaging music conveyed most efficiently. Thanks for the video, and I await the 6th sonatina if you plan on it.
jeudi 11 février 2010 21:03:03
jacksongrant15

Thanks for posting this! I'm aware you don't take requests, but a while ago I asked you about pieces you were playing, and clementi popped up then; have you ever explored any of Clementi's Sonatas? There are quite a few mediocre ones, but there are also those that stand out, and these tend to be the most played, with a few underplayed-underground-masterpiece-exceptions about like his G Minor Sonata Scena Tragica from the 1820s. Horrowitz was a proponent of the Clementi Sonatas.
jeudi 11 février 2010 20:51:05
PrismLightwave

Evidently I have a different printing. Mine only says allegro, but the books I have sometimes modify some of the pieces to make them more appropriate. (What I'm referring to isn't a book of Clementi; it's just the RCM Grade 5 book, so it was probably slowed down a bit to fit the level.)
mardi 09 février 2010 18:51:45
PrismLightwave

You played the third movement much faster than I'm used to hearing it... (it's 108 - 120 BPM in my book). Still, keep up the good work with the sonatinas. (I haven't heard the sixth one ever before, so I'm looking forward to it.)
mardi 09 février 2010 15:53:50
BachScholar

Thanks. What I meant about not listening to recordings on my tutorial channel is to learn to develop one's own ideas rather than relying so heavily on others' interpretations. Every person should have his/her own unique approach to everything played.
mardi 09 février 2010 10:52:20
destinybone

awesome!!!!!!!!!!!!!
mardi 09 février 2010 09:17:32